Qum, circa 1950

5'3" x 3'6"

Qum, circa 1950: 5'3" x 3'6"

Qum, circa 1950: 5'3" x 3'6"
Qum, circa 1950: 5'3" x 3'6"
Qum, circa 1950: 5'3" x 3'6"
Qum, circa 1950: 5'3" x 3'6"
Qum, circa 1950: 5'3" x 3'6"
Qum, circa 1950: 5'3" x 3'6"
Qum, circa 1950: 5'3" x 3'6"
Qum, circa 1950: 5'3" x 3'6"
NameQum, circa 1950
Size in feet5'3" x 3'6"
Size in meters1.60 x 1.07
Pile (Fiber & Yarns Used)100% Pure silk
Type of fabricationHand-knotted
Type of knotsSenneh (asymmetric)
Country Made InIran
Design OriginPersian
ConditionExcellent, Pre-owned semi-antique, one of a kind
Carpet IDLP2107056
CUSTOM SIZES AVAILABLE BY SPECIAL ORDER
PLEASE CONTACT US Sizes are approximate. Photographs are not necessarily exact for color.
New Rugs Are Of The Highest Quality In Its Category And Are Handpicked Overseas By The Bashir Family

Overview

This fine Persian area rug was woven in Qum (north central Persia) around 1950. It is in excellent condition and has been hand-knotted with pure silk. Certain things in this rug that lead us to believe it's in excellent condition is that it still has its original tassels on the fringes. Another thing we like to do when we're evaluating silk rugs, to get an idea of how good the condition is, is we want to check to see that the foundation of this is pliable and strong. So the way that you would normally do that is just to put some small folds into it and see if there's a good action. The test reveals that this carpet is in excellent condition. The foundation is very strong.

This fine Qum rug also features a rich assortment of symbols. Symbolism in Persian rugs is passed down from generation to generation and were believed to protect the rug owners from misfortune. An oval arrangement of motifs radiating out from the center medallion suggests the petals of a rose which is symbolic of innocence.

Some other prominent symbols featured in its field are dogs and deer alongside peonies and various other flowers. The dogs are regarded as protectors of noble places, the deer signify well-being and the peonies refer to power. Its blue field is a symbolism for running water. In Persian carpet weaving tradition this would refer to the water one only encounters in paradise in addition to fertility, life, cleanliness and the desire to overcome obstacles.

Within its thicker border one can view large sized rows of motifs such as the tree of life, roses and pomegranates. Here the trees of life represent the direct path from earth to heaven. Each pomegranate is a symbol of fertility. Understanding how to "read" these symbols and patterns enables one to connect with the weaver's story, as well as community and society. At times, it can even provide historical insight and information on the best manner in which to showcase each work of art.

A Brief History of Qum Rugs

Qum CarpetsQum rugs, also known as Ghoum, Gom, Qom, Qoum, Kum or Koum, are woven in workshops of Qom, a city located in northwest central Iran. Since rug production did not begin in Qom until the 1930s, Qom doesn't have any traditional designs of its own. Qom weavers prefer to weave the most favorable designs of other Persian weaving groups and sometimes Caucasian weaving groups and adjusting these designs to their own taste. It is possible for Qom rugs to be mistaken with Kashan or Esfahan rugs. However, they will not be mistaken with Tabriz rugs because Qum, Kashan and Esfahan rugs are woven with the asymmetric (Persian) knot and Tabriz rugs are woven with the symmetric (Turkish) knot.

All silk, part silk/part wool, and kork (fine wool taken from the belly of sheep) Qom rugs are very well-known in Iran and abroad. The foundation of Qum rugs could be either cotton or silk. Most Qum rugs have curvilinear patterns and very elaborate floral motifs with intricate leaves and vines. As mentioned above the designs are varied, taken from different weaving groups. Some designs used in Qum rugs consist of vase, moharramaat, mir-i-boteh, zell-i sultan, panelled garden, hunting, tree-of-life, pictorial, Shah Abbassi melallion-and-corner with usually a circular medallion, all-over Shah Abbasi, medallion with open field, medallions resembling the famous Esfahan Sheikh Lotfollah medallion, prayer and all-over gul farangi (roses).

The gul farangi motif seems to be a popular motif also used in vase, tree-of-life, and zell-i sultan designs. A panelled design containing very different motifs in each compartment is also common; the motifs inside the compartments can consist of pictorials, vases, hunting scenes, and botehs all in one rug.

The colors used in Qum rugs are as diverse as the designs. The overall appearance could either be pale with background and border colors such as ivory, champagne, turquoise and light green, or it could be dark with background colors such as dark blue and even sometimes red. Red, blue and green are also used as motif colors. Other commonly used colors in Qum rugs are mushroom, rose, gold, yellow ocher and orange orcher. To learn more about iranian rugs, please visit our Persian Rugs section.

Sources and inspiration: Bérinstain, Valérie, et al. L'art du tapis dans le monde (The art of carpets in the world). Paris: Mengčs, 1996. Print.; Jerrehian Jr., Aram K.A. Oriental Rug Primer. Philadelphia: Running Press, 1980. Print.; Herbert, Janice Summers. Oriental Rugs, New York: Macmillan, 1982. Print.; Hackmack, Adolf. Chinese Carpets and Rugs, Rutland and Tokyo: Tuttle, 1980. Print. ; De Moubray, Amicia, and David Black. Carpets for the home, London: Laurence King Publishing, 1999. Print.; Jacobsen, Charles. Oriental Rugs A Complete Guide, Rutland and Tokyo: Tuttle, 1962. Print.; Bashir, S. (n.d.). Personal interview.; Web site sources and dates of consultation vary (to be confirmed). Without prejudice to official usage.

About Antique Rugs

"Antique" refers to carpets at least 100 years old, whereas rugs between 50 and 99 years of age are classified as "semi-antique".

Typically crafted with hand-spun wool and eco-friendly organic dyes, old carpets have a more luminous surface, creating an illusion of depth. Newer pieces are rarely able to capture the patina and character of an antique, which can add warmth to even the most pristine and minimalist spaces.

Oriental & Persian carpet designs began to change at the turn of the 20th century, as Western influence expanded across the Middle East. The authenticity of the unique designs produced by local cultures declined with the introduction of larger-scale production that aimed to accommodate foreign tastes. Preserving the traditional techniques involved in the craft also became more challenging following the effects of the Industrial Revolution.

Tips for Collectors
  • Antique rugs are made of wool, cotton and silk. New rugs can be made from a variety of fibers, both natural and synthetic, including wool, cotton and silk, but also silk blends, faux silk (often called "Art Silk" or "artificial silk"), mercerized cotton and olefin.

  • If a rug has signs of wear but still looks vibrant, this is an indication that it is a genuine antique.

  • For insurance purposes, you should always obtain a certificate of authenticity from the dealer. This document should include the size, origin, age, style, materials, knot density, condition and estimated retail value of the carpet.

  • An authentic antique will not have a brand name associated with it, nor will it be hand-tufted.

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