Savonnerie, circa 1960

13' x 9'11"

Savonnerie, circa 1960: 13' x 9'11"

Savonnerie, circa 1960: 13' x 9'11"
Savonnerie, circa 1960: 13' x 9'11"
Savonnerie, circa 1960: 13' x 9'11"
Savonnerie, circa 1960: 13' x 9'11"
Savonnerie, circa 1960: 13' x 9'11"
Savonnerie, circa 1960: 13' x 9'11"
Savonnerie, circa 1960: 13' x 9'11"
NameSavonnerie, circa 1960
Size in feet13' x 9'11"
Size in meters3.96 x 3.02
Pile (Fiber & Yarns Used)100% Pure Wool, Natural Organic Dyes
Type of fabricationHand-knotted
Type of knotsSenneh (asymmetric)
Country Made InChina
Design OriginFrench
ConditionPre-Owned semi-antique in excellent condition.
Carpet IDSEK21103021
CUSTOM SIZES AVAILABLE BY SPECIAL ORDER
PLEASE CONTACT US FOR AVAILABILITY
Sizes are approximate. Photographs are not necessarily exact for color.
New Rugs Are Of The Highest Quality In Its Category And Are Handpicked Overseas By The Bashir Family
A Brief History of Savonnerie Carpets

Savonnerie Carpet WeavingThe early history of carpets in France is tied to the story of two weaving ateliers, Savonnerie and Aubusson. There are earlier references to carpets being woven in France before the seventeenth century, but no examples survive.

The granting of a license by Henri IV to Pierre Dupont in France, 1608, to manufacture Savonnerie carpets is similar in spirit to the establishment of court workshops by the Mughals and Safavids, whose common aim was to produce superlative works of art, including carpets. In 1627 Louis XVIII gave a royal privilege to Dupont (1577-1640) and his pupil Simon Lourdet (d.1671) for weaving carpets. They set up business in an old soap factory, hence the name Savonnerie, which quickly became the label attached to the products of the factory - carpets, panels and wall hangings - all created exclusively for the court. From the beginning, individual designers were employed to create designs, all of which were European in style..

Unlike early American or British carpets, no attempt seems to have been made by the Savonnerie atelier to emulate oriental carpets. A law was passed to prohibit the importation of carpets from the East to France in order to safeguard the Savonnerie workshop, which was granted a monopoly for the weaving of knotted-pile carpets. The seventeenth-century Savonnerie carpets have an opulent grandeur associated with them. Until 1768 the factory worked chiefly, if not exclusively, for the court, producing pile carpets only..

The richness of the colours used and the supremely confident manner with which acanthus scrolls, classical motifs and floral motifs were handled, combined to create a sumptuous effect worthy of any royal household. In 1663, Colbert, one of Louis XIV's ministers, stipulated that a painter from the Royal Academy had to oversee the designs for the carpets and to teach drawing to the staff every month. Several important painters were associated with Savonnerie in this way, notably Charles Le Brun and, later in the eighteenth century, Francois Boucher.

Austere state economies, due to the financial problems arising from the wars in the latter part of Louis XIV's reign, were largely responsible for the decline of the factory between 1690 and 1712. However, it was later revived and produced very pretty feminine carpets akin to the prevailing styles in the other decorative arts of the era. Soft colours, delicately drawn flowers, floral swags and ribbons are typical. Its heyday was over and by the beginning of the nineteenth century, cheaper Aubusson carpets became popular, although Napoleon employed the factory to weave handsome Empire-style carpets. In 1825, Savonnerie was amalgamated with the Gobelins tapestry factory and its independent existence came to an end. To read more about french style rugs and their history, visit our French Rugs section.

Sources and inspiration: B?rinstain, Val?rie, et al. L'art du tapis dans le monde (The art of carpets in the world). Paris: Meng?s, 1996. Print.; Jerrehian Jr., Aram K.A. Oriental Rug Primer. Philadelphia: Running Press, 1980. Print.; Herbert, Janice Summers. Oriental Rugs, New York: Macmillan, 1982. Print.; Hackmack, Adolf. Chinese Carpets and Rugs, Rutland and Tokyo: Tuttle, 1980. Print. ; De Moubray, Amicia, and David Black. Carpets for the home, London: Laurence King Publishing, 1999. Print.; Jacobsen, Charles. Oriental Rugs A Complete Guide, Rutland and Tokyo: Tuttle, 1962. Print.; Bashir, S. (n.d.). Personal interview.; Web site sources and dates of consultation vary (to be confirmed). Without prejudice to official usage.

About Antique Carpets

Older carpets (antique or vintage) are rugs that date back to the last 100 years. Rugs that are 50 to 99 years of age are referred to as semi-antiques.

They are typically crafted with hand-spun wool and eco-friendly organic dyes, which have a luminous surface, providing an illusion of depth. They have a wonderful patina and character which cannot be usually captured in a newer piece. Each antique carpet is different, as they are found in every type of home and add warmth to pristine and minimalist spaces.

Oriental & Persian carpet designs began to change at the turn of the 20th century, as Western influence expanded across the Middle East. At the time, the native cultural designs began to lose their authenticity because their ability to maintain traditional designs diminished. As the Industrial Revolution came about, preserving traditional master craft techniques became more of a challenge.

Tips for Collectors
  • Antique rugs are made of natural fibers such as, wool, cotton and silk. New rugs are made from a variety of fibers including synthetic and natural fibers such as, mercerized cotton, faux silk often called "Art Silk", silk blends and artificial fibers such as, olefin.
  • If the rug has signs of wear but still appears to be vibrant, this is an indication of a genuine antique carpet.
  • For insurance purposes, you should always obtain a Certificate of Authenticity from the dealer, which should include the size, origin, age, style, materials, knot density, condition and estimated retail value.
  • An authentic Oriental rug will not have a brand name associated with it and it will not be hand-tufted.

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